« Il est probable que dans la hiérarchie artistique, les oiseaux sont les plus grands musiciens qui existent sur notre planète. »

— Olivier Messiaen

Humane Performance Initiative

Upcoming Performances

A wooded trail along Chickies Creek, with water running over rocks beside it
String Quartet
A Walk in the Woods

Urban Arts House, 430 West Orange Street, Lancaster, PA — Friday, 6 November, 5:00 pm (First Friday). Quartet Harriet plays A Walk in the Woods. Free-will offering.

Lititz Public Library, 651 Kissel Hill Road, Lititz, PA — Monday, 23 November, 6:30–7:30 pm. Klezmer and Jewish music, with Christopher Brooks, violin, and Laurie Haines Reese, violoncello.

Molly S. Photography, 128 East Grant Street, Lancaster, PA — Date to be determined. Quartet Harriet.

Inspirations

  • ◦
    My love of classical chamber music.
  • ◦
    The intriguing example of the avant-garde movement of the late 1950s and early 1960s, the Beats, Abstract Expressionism, and musical experimenters like John Cage. At times, these pioneers forgot beauty (imho, a mistake), but their ideas remain fruitful.
  • ◦
    The incessant noise and high sound levels of the contemporary world (including popular music).
  • ◦
    The desire to break from rectangular screens and stages with a passive audience.
  • ◦
    Nature.

Principles

  • ◦
    All natural instruments (no electronics)
  • ◦
    Humane sound levels
  • ◦
    Intimate, quiet, spaces: audience and performers sharing the space (no stage)
  • ◦
    Serious art: beautiful, but never cloying or patronizing:
    • My compositions
    • In C, Terry Riley
    • Morton Feldman
    • Others? (Suggestions are welcome.)
  • ◦
    Low ticket prices, children free and encouraged
  • ◦
    Multiple performances per program
  • ◦
    Alcohol consumption encouraged (depending on performance location)

Quartet Harriet

Quartet Harriet was founded to honor the woman who made this possible, including funding: my mother, Harriet L. Brooks.

Members

  • Christopher Brooksviolin

    Christopher Brooks playing the violin in a galleryChristopher Brooks was born and raised in Brooklyn, New York. He began studying the violin at PS 8 in Brooklyn Heights and at the Third Street Music School. Attending the New School of Music in Philadelphia, Mr. Brooks studied violin with Jascha Brodsky and Geoffrey Michaels.

    He has played chamber music and been a member of numerous orchestras including Orquesta Bética Filarmónica de Sevilla (concertmaster), the Frysk Orkest in the Netherlands, and the Lancaster, Reading, York, and Harrisburg Symphonies (concertmaster). Currently, he plays with the Allegro Chamber Orchestra in Lancaster, Pennsylvania.

    In addition to his broad experience in orchestral and chamber music, he has performed with many improvisation-based ensembles, including folk, rock, jazz, Klezmer, and freely-improvised accompaniments for modern dance.

    Christopher Brooks is also a professional acoustics consultant, working as a Senior Consultant with TLC Engineering. His specialty is music and acoustics and acoustical design for performance spaces.

    www.creativeviolinist.com has more information on Christopher’s performing and teaching.

    Among his publications are:

    • The Creative Violinist: Integrating Technique and Music through Improvisation
    • Architectural Acoustics
    • Bemused: Poems Written After Dark
  • Jennifer Sternickviolin

  • Jenny Huerterviola

    Jenny Huerter holding her violaJenny Huerter is an active performer and teacher of viola and violin in the Central PA area. She is Assistant Principal Viola of the York Symphony Orchestra and performs regularly with other groups including the Pennsylvania Philharmonic, Gettysburg Chamber Orchestra, Lancaster Symphony Orchestra, Fulton Theater Orchestra and many other orchestral and chamber groups in the area. She is Adjunct Professor of Viola and Violin at Lancaster Bible College and coaches viola sectionals for the York Youth Symphony Orchestra, as well as teaching privately from her home in Annville, PA. Jenny holds a B.M. in Viola Performance and an M.M. in Viola Performance and Pedagogy, both from the Peabody Institute of the Johns Hopkins University, where she studied with Victoria Chiang. In addition to her work as a musician and teacher, Jenny is mom to four amazing kids who keep life full and always an adventure.

  • Laurie Haines Reesevioloncello

    Laurie Haines Reese playing the cello under stage lightsLaurie Haines Reese is a cellist dedicated to creating and performing music—especially new music—that explores the cello’s creative possibilities. An accomplished classical musician with a lifelong curiosity about what else the cello can do, she is equally at home in folk, jazz, improvisatory, and experimental music.

    Based in Lancaster, PA, Laurie has freelanced and concertized extensively throughout the United States and Europe, including performances in Los Angeles, Miami, Seattle, Hawaii, and New York. She holds a Master of Music in Performance from the University of Southern California, where she studied advanced cello repertoire with the legendary cellist Eleanor Schoenfeld.

    Laurie’s musical life has always crossed boundaries. While living in Miami, she performed with jazz great Ira Sullivan in the ensemble Strings Attached. She has been recording professionally since the age of seventeen and is as comfortable in the recording studio as she is on the concert stage. In an entirely different musical direction, she sings and plays cello with Abigail’s Garden, a folk duo with her sister, Tish Brown, performing Celtic music, originals, and an eclectic collection of covers.

    For Laurie, the cello is less a fixed category than an invitation: to explore, to listen, to improvise, and to discover what happens next. As a member of Quartet Harriet, she brings that spirit of curiosity and collaboration to the ensemble’s performances of new, experimental, and indeterminate music.

Past Performances

Workshop

Scores, sketches, rehearsals and writing — the work as it is being made.

  • Promotional videosQuartet Harriet · October 2026

    The Hope · Olivia’s Fine Art, 29 October · Open in Drive
    A Walk in the Woods · Urban Arts House, 6 November · Open in Drive
  • The HopeWritten for Olivia’s Fine Art · September 2026

    A page of the handwritten manuscript score for The Hope, with the coda and the piece’s title along the bottom edgeMy wife and I walked into Olivia Stoltzfus’s new gallery on a First Friday this summer. She was weaving at the rear of this bright, white room with soft, inviting paintings on the walls. Something about the texture and color of these works drew me in, and I began to hear something. I felt an affinity for what I was trying to do with my own performance project. I’m always looking for places to perform with Quartet Harriet. This one required a new string quartet.

    The piece is called The Hope. Working from the concept of weaving, I used the ’cello as the warp, a simple series of descending fifths. The two violins and viola are the weft, weaving through: pitches were chosen intuitively; no chords or theory, just tone colors that reflect my aural response to Olivia’s work, organized into motifs whose rhythm comes from Hatikvah — the hope. The coda uses Oseh Shalom, a prayer for peace, played on the most soulful of instruments, the viola, with splashes of gentle tonal color. Freedom within constraints: beautiful avant-garde.

    For the event, the Quartet — two violins, viola and ’cello — will be placed around the corners of the room. The motifs are to be played intuitively, within the structure of the warp, directed by the ’cello. The score and this description to be hung on the wall.

    I see this as a work of performance art, with the listeners free to walk around the room taking in Olivia’s work. My only request is that they listen silently.

    The Hope premieres at Olivia’s Fine Art, 140 North Prince Street, Lancaster, on Thursday, October 29th. Doors at 5:00, music at 5:15. Free-will offering.

    Score (PDF)

  • The HopeRehearsal · 16 September 2026

    A new string quartet for Quartet Harriet, written for Olivia’s Fine Art. Listen to the rehearsal (or the full-quality WAV)